The New South • 26 October 2002
The New South
The South? It's the one region I easily and inevitably identify with when someone mentions they're been there or lived there. There is anywhere in the South except Texas which to me is more accurately not really real Southwest than Southern South, and except Florida, which any real Southerner knows is a bastard state.
I was born in the Deep South in Mobile, Alabama, lived near Mobile in Bay Minette and Stapleton for a while and then spent some time in Starkville, on the Mississippi Delta.
My mother's father – my grandfather, of course – had grown up in Mississippi, in Jackson, I think. He had three brothers and two sisters, all called by their middle names.
All of this means memories and occasionally the present reality of what used to be known as Poor White Folks' Food and is more popularly identified as Soul Food—at least in local White parlance in Dorchester, Massachusetts. The bill of fare would have to include field peas, grits, Mississippi corn bread (1 cup of cornmeal and 1 tablespoon of flour), biscuits, rice, greens, and a pot of bacon grease on top of the stove. I imagine I've got a lot in common with the Blacks I meet and visit with, many of whom have just arrived North. Maybe that's fantasy!
Although recently I've spent very little time in the South: short visits to Raleigh/Durham/Chapel Hill; Tidewater, Virginia; Louisville, Kentucky; Memphis, Chattanooga, Knoxville and Gatlinburg, Tennessee—to me Kentucky and Tennessee aren't just border states, they're also borderline South; "Greater Baltimore," Maryland and Washington, D.C. (but is that Southern?), from these visits, from earlier impressions and from the media I've formed a montage. My montage includes regional and local expressions of various kinds being considered vital for sheer survival and also part and parcel of protecting one's Southern identity. Exactly what the identity consists of is not too clear, but it likely includes regional food specialties, and at its worst is politically reactionary and religiously ultraconservative, with an unbiblical view of biblical authority and inerrancy. I suspect – however accurately I'm not sure – the political and religious stance is rooted in a fear of individual risk and responsibility and consequent recourse in legalisms which remove the burden of responsibility from the individual. Though of course there are other reasons, as well as Southerners who think and act otherwise!
And I envision a huge amount of literature, all fiction, all based on reality, all to the last sentence of the last paragraph portraying families held together by hate and dependency, sometimes by incest, with individual and social pathology beyond the wildest fabrications of any non-Southerner. That is just possibly a stereotype?
Also, hot, humid weather and bugs.
Very positively there's that strong southern influence upon mainstream popular music of originally Southern genres such as soul, blues, jazz, gospel, and country / western. Though I don’t know the actual degree of that influence, it appears to be fairly pervasive. To me the music's also a real bridge between South and North..."North" referring to the non-Southern United States.
© Leah Chang
cloudbreak! • 04 November 2004
trilogy 2 — rain
remembering places past
a festival of rain on the roof
and on the sidewalks too
rains wistful memories
touching times long past
yet morning light still breaks
into new nostalgia
lunch on main street
out to the stable to clean the stalls
then up in the gallery
music of sweelinck rings through the room
rain is over
sky's full of stars
welcome to your world of dreams
© Leah Chang
ekistic units • 19 October 2004
room – 2
housegroup – 40
small neighborhood - 250
small polis – 10,000
polis – 75,000
small metropolis – 500,000
small megalopolis – 25,000,000
megalopolis – 150,000,000
small eperopolis – 1,000 million [1,000,000,000]
eperopolis – 7,500 million [7,500,000,000]
ecumenopolis – 50,000 million [50,000,000,000]
horses • 19 October 2004
brought to las americas in the mid-16th century by Spanish conquistadores
horses have that *ephemeral quality* — horses have heart!
Nez Perce horse—stallions and ahkal-teke
1895 Appaloosa mares: "a Palouse Horse" near the Palouse River
Reykjavik, 5th gait—*TOLT* = slower, fast running walk
quarter horses from Virginia: 1/4 mile!
clear cutting—even age management, "skudder" and "wedge"
Roy Harris & Aaron Copland: 3rd Symphonies • 04 March 2011
Copland, Symphony #3; Harris, Symphony #3 on Amazon
With trilingual liner notes in English, German and French along with strikingly bright cover art featuring a DC-2 hovering above a horse-drawn stagecoach, this recording of two classic American symphonic standards is well-prepped for export! For both pieces Neeme Järvi conducts the Detroit Symphony Orchestra. It's fair to say Roy Harris' Symphony No. 3 in one movement and five parts is an icon of 20th century American music and especially given that the final, 4th movement of Aaron Copland's Symphony No. 3 is a version of his "Fanfare for the Common Man," his 3rd symphony isn't far behind in the category of iconic.
Basically I like the orchestra's playing under Maestro Neeme Järvi, who served as DSO Music Director from 1990 through the end of the 2004-2005 season. However, at times the music simply sits there, so in general I'd like to feel a greater sense of the narrative moving along and greater passion in the shapes of the phrases. Not surprisingly, the luminous sound of the Chandos recording is a joy to the ears! Do I recommend this CD? Definitely! It will give you another perspective on a pair of major orchestral works that are among my very favorites, and maybe yours, as well.
my amazon review: solid performances, clear sound
draw a bird day 2012 • Tuesday, 10 April 2012
Sunday, 08 April was the annual Draw a Bird Day; here's the Blackbird I drew for the occasion:
Paul Rand: thoughts on design • 27 May 2012
Thoughts on Design by Paul Rand
If ever there lived an iconic designer/illustrator, it was the late Paul Rand (1914-1996). In this now 4-decades old treasure of a book, Rand exegetes, illustrates, and explains symbol and word. But is word not symbol in itself and is symbol not a kind of speech? In less than 100 pages you can read about beauty and utility, humor, typography, and imagination. In contrast to fine art, design has a function, typically as a solution for a problem or concern; graphic, photographic, and typographic design is most familiar to consumers as a modality for presenting a product, event or idea. We live amongst many varieties of architectural, industrial and "other" types of design, as well. This simply modest yet elegant paperback is packed full of actual illustrations of mostly advertising design solutions accompanied by the "how to" and "why to" involved. You know IBM, UPS, and Westinghouse? Paul Rand designed those logos and campaigns and in the half century since they first impacted the public, Rand's style and philosophy has influenced literally countless others. Thoughts on Design is a "don't miss it" if you can find it and afford it!
Paul Rand online
my amazon review: a jewel, a keepsake
World Drawing Day 2012 • 02 June 2012
For World Drawing Day 2012, here's my drawing of a devastatingly endangered rhino:
Earth Day 2013 • 22 April 2013
Mexican Cornbread • 05 May 2015
13 March • 30 September 2015
street where I lived in Tierrasanta, "Holy Land" | Old Navy Mission Valley Window
Harwich Scrapbook pages • 16 April 2016
whimsies: we are stardust • 07 July 2016
whimsies: earth must provide • 07 July 2016
Page most recently updated Monday 15 July 2016.